Ali und Nino, first edition in the German language, published by (),, 1937 Ali and Nino is a novel about a romance between a boy and girl in in the years 1918-1920. It explores the dilemmas created by 'European' rule over an 'Oriental' society and presents a tableau portrait of 's capital,, during the period that preceded the long era of rule. It was published under the pseudonym. The novel has been published in more than 30 languages, with more than 100 editions or reprints.

The book was first published in in in 1937, by E.P. It is widely regarded [ ] as a literary masterpiece and since its rediscovery and global circulation, which began in 1970, [ ] it is commonly considered the national novel of Azerbaijan. There has been a good deal of interest in the authorship of Ali and Nino. The true identity behind the pseudonym ' has been the subject of some dispute. The case for, aka, as the author originally surfaced in 1944. In 's 2005 international bestseller The Orientalist: Solving the Mystery of a Strange and Dangerous Life, Reiss makes a thorough case that the novel is the work of Nussimbaum, which continues a claim dating to Nussimbaum's correspondence and writings 1938-1942 and the writings of Ahmed Giamil Vacca-Mazzara in the 1940s. A claim for as author originated in 1971.

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The argument for Chamanzaminli was presented in a special 2011 issue of entitled Ali and Nino: The Business of Literature, in which Betty Blair argued that Nussimbaum merely embellished a manuscript of which she surmises that Chamanzaminli must be the 'core author,' a position that had already been advanced by Chamanaminli's sons and their supporters for some years. The novel's copyright holder, Leela Ehrenfels, maintains that her aunt the Baroness Elfriede Ehrenfels von Bodmershof authored the book, mainly because the book's publishing contract and subsequent catalog record identify her as, though few support this as proof of her authorship. Baku Realni School, the setting of the first scene in the novel Ali and Nino. Today, this building houses the University of Economics, Istiglaliyyat (Independence) Street. Ali and Nino is the story of a Muslim youth who falls in love with a princess. Essentially, the book is a quest for truth and reconciliation in a world of contradictory beliefs and practices – and, and, and, and.

Much of the is set in 's Old City () on the eve of the beginning around 1917–1918. The novel was first published in in 1937 in the, by using the pseudonym. Ali Khan Shirvanshir, a descendant of a noble family, is educated in a high school for boys.

While his father is still, Ali is exposed to values in school and through his love of Nino Kipiani, who has been brought up in a and belongs more to the world. The book describes the love of Ali for Nino, with excursions to mountain villages in, in,, Georgia, and. Upon graduating from high school, Ali determines to marry Nino. At first she hesitates, until Ali promises that he will not make her wear the veil, or be part of a harem. Ali's father, despite his view of women, supports the marriage while trying to postpone it.

The book takes a dramatic turn when a (), Melik Nachararyan, whom Ali thought was a friend, kidnaps Nino. In retaliation, Ali pursues him on horseback, overtakes his 'lacquered box' car and stabs him to death with a dagger. Contrary to the of urged by Ali's friend Mehmed Haidar, Ali spares Nino's life. Ali then flees to to escape the vengeance of Nachararyan's family. After many months, Nino finds Ali in a simple hilltown in the mountains near. The two marry on the spot and spend a few months in blissful poverty.

As turmoil follows the Russian Revolution, Ali Khan makes some tough ideological decisions. When the moves closer to his native, Ali Khan watches the developments closely.

The recapture, and Ali and Nino flee to (Persia). In, Ali is reminded of his roots, while Nino is fundamentally unhappy in the confinement of the harem. Upon establishment of the, Ali and Nino return and become cultural ambassadors of their new country. Ali is offered a post as to – an idea Nino had arranged – but Ali declines, because he fears he will be unhappy in.

When the descends on,, Ali takes up arms to defend his country. Nino flees to with their child, while Ali Khan dies in battle as the Bolsheviks take the country. (The Bolshevik victory led to the establishment of domination of from 1920 to 1991 and the end of the short-lived, which lasted from May 1918 to April 1920.) Art, theater, and film related to Ali and Nino [ ]. (Yusif Vəzir Cəmənzəminli in ), author, whom Betty Blair argues is the 'Core Author' of Ali and Nino, using textual comparisons between the diaries, essays, short stories and novels of which he is the undisputed author and the novel Ali and Nino, the authorship of which is in dispute.

The claim that the novelist Yusif Vazir, known popularly as, is the true author of Ali and Nino appears to have begun in the preface to the 1971 Turkish edition of the novel, in which the Turkish translator Semih Yazichioghlu, claimed that Lucy Tal, the late widow of the original publisher E.P. Tal, had written a letter stating that in the 1920s 'a handsome young man' had 'left a pile of manuscripts' that the company published in 1937. (Lucy Tal unequivocally denied having written the statement, calling the assertions 'monstrous claims. Kluge Serial Numbers. ' ) Chamanzaminli's late sons Orkhan and Fikret have continued to make the claim. They began advocating for it at least by the 1990s after the first translation of Ali and Nino was published in 1990. An earlier Azeri translation had been made in 1972, but a complete rendering in Azeri, by Mirza Khazar, was published for the first time, serially, in three issues of the magazine Azerbaijan in 1990.

Following this theory, Chamanzaminli has been listed as the author (rather than the standard ') in a number of editions, particularly in where the [ ] has declared Chamanzaminli to be the author. In the 2004 film Alias Kurban Said, directed by, Yusif Vazirov Chamanzaminli's late son Fikrat Vazirov offered an argument for Chamanzaminli's authorship. Autocad 2010 Freeware Deutsch Englisch there. Chamanzaminli had been in a romantic relationship with a girlfriend named Nina who, he argued, became 'Nino' in the novel. 'Anyone can say they are Kurban Said, but they can't tell you how they met Nino in Nikolay Street.' He attested that his father had met a young woman named 'Nino': 'She was walking along Nikolay Street and father came from the Institute. They met here in the park, just like in the novel. He was nineteen and she was seventeen.'

A short story by Chamanzaminli, published in 1927, autobiographical in appearance, featured a starving writer in Paris in the mid-1920s (when Chamanzaminli was there) who works as a ghostwriter producing articles under the signature of someone else and getting only 25 percent of the earnings for them. Blair offers this as a clue that Chamanzaminli had in reality, not in fiction, produced writings that appeared under others' signatures. Blair implicitly conjectures that the novel must have also passed out of his possession and that he thus lost the capacity to receive credit for its writing. Fikret Vezirov has proffered the claim that Chamanzaminli had to hide his identity behind the name Kurban Said so that he would not be identified with the anti-Bolshevik views contained in Ali and Nino. If Chamanzaminli had a copy of the manuscript, Vezirov said, it must have been among those Vezirov reports Chamanzaminli burning in 1937 [ ] when Chamanzaminli fell under the suspicion of the KGB. Vezirov referred to an article from the 1930s, the authors of which, in Vezirov’s characterization, resented Nussimbaum's use of the name 'Essad Bey' and protested 'that he wrote pornography that had nothing to do with history, that he was just inciting nations against each other.'

Vezirov cited the fact that his father had traveled to Iran, Tblisi, Kislovodsk, and Daghestan (all visited by the novel's characters) as another self-evident link. 'Draw your own conclusions,' he declared. Panah Khalilov (alternative spelling: Penah Xelilov), as shown in the film Alias Kurban Said, is the creator of the Chamanzaminli archive. He referred in the film to a Chamanzaminli story published in 1907 which he believes is a 'primary variant,' rather than 'the complete Ali and Nino.' He also referred to 'a book, written in German and published in Berlin' whose author had met Nussimbaum, had read Blood and Oil in the Orient, and 'had written an essay about it in which he accuses him of insulting his people by saying that the core of the Azerbeidshan people were Jews' – a characterization that Cerkez Qurbanov, who translated Blood and Oil into Azeri, vociferously denied was true about Blood and Oil in the Orient. Wendell Steavenson, in her 2002 book Stories I Stole: From Georgia reported that 'Vazirov the younger called Lev Nussimbaum a fraudster, a 'charlatan', not a Bakuvian, who wrote twelve books 'of an adventurist nature' but had nothing to do with Ali and Nino.

' Ali and Nino ', he declared 'is a pure Azerbaijani novel.' His father, he said, had written Ali and Nino and managed to get it published in Vienna through a cousin who lived there. There were too many details that matched: Kurban Said must have been an Azeri. 'He even knew all about a special kind of Shusha cheese, which only a man from Shusha would know about.' Vazirov argued.' Assertions that Azerbaijani nationalism motivates the advocacy of Yusif Vazir Chamanzaminli's authorship [ ].

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Ali and Nino is a novel about a romance between a Muslim Azerbaijani boy and Christian good deal of interest in the authorship of Ali and Nino. The true identity behind the pseudonym 'Kurban Said' has been the subject of some dispute.

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